Tag Archives: BuzzFeed

Let’s Not Let Intersectionality Spell Erasure

26 May

I first heard of the term intersectionality from my friend, Diana Fox, an Anthropology Professor who studies and teaches across a variety of subjects including Caribbean culture, feminism, gender and sexuality. The topic came up some time ago after she read a particular blog post of mine which she felt looked at race as simply Black and White, thereby creating a potentially divisive, binary effect. She went on to say that individuals possess many layers of identities, many blends of culture and heritage, and that we must be careful to address the complexities of Black identities, because there is Black Caribbean culture, which in itself can be broken down by island, there is Nigerian culture, and so on.  Diana also said that when we look at a person and the many different kinds of identities that make them who they are–women, Black, cis-gender, Jamaican, middle-class—we  find some commonalities, or intersections of identification, among some of those points. This recognition of our multiple identities enables us to look at ourselves, and one another, as more whole human beings.

Diana was careful to add that our racial, ethnic, and cultural identities are also linked to the varying layers of privilege and oppression each one possesses. She did so, by sharing about the work of Black lawyer, feminist, and scholar on critical race theory, Kimberle Williams Crenshaw, who first coined the term intersectionality, and developed an intersectional theory, in 1989. Diana made it a point to say that our layers of identities and their varying degrees of privilege and oppression are inextricably linked to one another and cannot be separated out. Therefore, if we consider all of this, we can see how looking at race as a singular identity can be problematic.

Crenshaw came up with the term intersectionality when […]

Wendy Jane’s Weekend Sounds: D’Angelo Performs The Charade on SNL

1 Feb

D'Angelo peforms The Charade on SNLI’ve been loving listening to the new D’Angelo album ever since it came out last month.  Fourteen years since his last effort, it was well worth the wait.  Lush, thoughtful funk and jazz instrumentals, D’Angelo’s velvety falsetto still there, and lyrics that speak to today’s time–especially to what it means to be black today.

Along with what I’m slowly coming to feel are my Twitter “roomies,” even if they don’t know I’m there:), I positioned myself on my couch with blanket and cat in tow to plod through a bad night of Saturday Night Live skits to get to D’Angelo’s performance on the show.  Some tweeps were ready to hang it up and not wait, but they did, and like me were so, so glad.  D’Angelo, even though a lot of shade was thrown for his first cowboy-looking outfit complete with scarf-pancho and western hat, beckoning some to call him “D’Angelo Unchained,” performed Really Love.  Tweets quickly moved from fashion critiques to “Yes! It’s Really Love with live strings!”…”That’s my jam!”

Sitting through more skits was again worth the wait when it became clear the next song D’Angelo would perform was The Charade.  A potent nod to all that’s been happening with the deaths of Trayvon Martin, Eric Garner, Michael Brown, Ferguson and more, the song’s lyrics call out..”all we wanted was a chance to talk, instead we’ve only got outlined in chalk..”  The band wore Black Lives Matter and I Can’t Breathe t-shirts and hoodies, and some tweeted D’Angelo’s hooded jacket represented for Trayvon Martin.  It was a beautiful, bold powerful statement that validated time spent watching SNL, as a forum for important music moments.  Thank you, D’Angelo for last night’s big moment.

Here’s a link via Sons and Brothers    a site focused on helping America’s young people of color reach their full potential in school, work and life to BuzzFeed writer Jim Dalrymple’s take on the evening’s performance, and the best video of the SNL peformance posted to date:







Jim Dalrymple – @jdalrymple